Top Multiplex Chain shocks: Stops Screening of Mollywood Films

PVR Inox stops Mollywood Films screening. The recent decision by PVR INOX, India's largest multiplex chain, to halt the screening of Malayalam films has created a significant stir within the film industry. This conflict arises from a disagreement regarding digital content mastering systems and the associated costs. Let's analyze the situation:

The Core Issue:

Digital Content Mastering: Traditionally, film producers rely on companies like UFO and Qube to encode their films into a format compatible with multiplex projection systems. However, these services come at a cost.

PDC (Producer's Digital Content): In response to high charges, Malayalam producers have developed their own digital content mastering system called PDC. They are requesting PVR INOX to adopt this system in their newly constructed theaters.

PVR INOX's Stand: PVR INOX is reluctant to invest in new projection systems compatible with PDC, as it would require additional expenditure. They argue that they already pay fees to Qube and UFO for KDMs (Key Delivery Messages) despite producers paying for DCP (Digital Cinema Package) conversion.

Implications:

Impact on Malayalam Film Industry: The decision by PVR INOX could significantly impact the Malayalam film industry, as it limits the reach and revenue potential of their films. Smaller films and independent filmmakers may be particularly affected.

Precedence for Other Industries: This conflict could set a precedent for other regional film industries, potentially leading to similar disputes with multiplex chains.

Possible Solutions:

Negotiation and Compromise: Both parties could engage in discussions to find a mutually agreeable solution. This could involve exploring cost-sharing options for implementing PDC or negotiating lower fees with existing digital content mastering companies.

Government Intervention: The government could play a mediating role to facilitate a resolution and ensure the smooth functioning of the film industry.

Alternative Distribution Channels: Malayalam filmmakers could explore alternative distribution channels such as independent theaters, online streaming platforms, and direct-to-home releases to mitigate the impact of PVR INOX's decision.

Additional Considerations:

The Telugu Film Industry: While there are rumors about a Telugu film being targeted, there is no concrete evidence to support this claim. However, the situation highlights the potential vulnerability of regional film industries to similar conflicts in the future.

In conclusion, the clash between PVR INOX and the Malayalam film industry underscores the challenges and complexities surrounding digital content mastering and distribution. Finding a resolution through dialogue and compromise is crucial to ensure the continued growth and accessibility of regional cinema.