Hansika has been exploring diverse genres in her recent film choices, and her latest venture, 105 Minutes, directed by Raju Dussa, is garnering attention for its unique approach as a single-artist, single-take film. The teaser and trailer have piqued the interest of audiences, and now, let's delve into how 105 Minutes unfolds and captivates movie lovers.
The narrative of 105 Minutes revolves around the life of a young girl named Janu, portrayed by Hansika. The story unfolds on a rainy day as Janu arrives home in her car. As she makes her way inside her house, a series of unexpected and startling events begin to unfold, presenting challenges that she must navigate. The crux of the storyline explores Janu's journey, her experiences, and how she manages to overcome the hurdles thrown her way. The intrigue lies in discovering the source of these developments and unraveling the mystery of who is behind them, shaping the remainder of the narrative.
Hansika, in her pursuit of diversifying her roles beyond glamorous characters, delivered a flawless performance in 105 Minutes. Demonstrating an adept understanding of her character, she portrayed it with precision, capturing the necessary expressions and emotions. Through her nuanced body language, she succeeded in elevating scenes to a higher level, especially in her portrayal of the girl in distress. Hansika's commitment to her role is evident, as she earnestly endeavors to shoulder the film and bring depth to her character.
Raju Dussa presents an experimental storyline in "105 Minutes," a single-take, single-artist film that initially captures attention with its intriguing and exciting narrative. Dussa effectively maintains the tempo, sustaining viewer interest for a significant part of the film. The interval sequence is a highlight, effectively setting the tone for the second half. Unfortunately, the latter part of the movie falters as repetitive scenes unfold, and the preclimax and climax lack conclusive resolution, leaving the audience somewhat disappointed after the initial buildup.
The narrative holds promise, but Raju Dussa might have enhanced its impact with a more refined script and screenplay. The dialogue delivery is minimal, relying on routine phrases like 'who are you.'
Sam CS contributes intense and impactful background music, although occasionally veering towards loudness, effectively elevating various scenes. Syam Vadavali's editing is acceptable in the first half but introduces some dragging elements in the second half, testing the patience of the audience. Kishore Boyidapu's cinematography succeeds in capturing rain shots and scenes within the house effectively, but falls short in creating a notable impact in other sequences. The production values are satisfactory, contributing to the overall execution of the film.
In its attempt to be an experimental thriller, 105 Minutes unfortunately transforms into a test of patience for the audience. While Raju Dussa introduces a novel concept and Hansika delivers a spirited performance, the film falls short due to a lack of a compelling story and an engaging screenplay. Despite the commendable efforts, the overall execution fails to capture the audience's interest. Taking into account these factors, Cinejosh assigns a rating of 1.5 for 105 Minutes.