Audience verdict is the ultimate verdict. Keep aside those critics verdicts or statements from respective movie units because final and transparent Box Office winners always float on top. When we discuss about results of those few movies released in 2016, definitely there is a clear change in Telugu audience mindset profoundly visible. Remonstrance from elite audience section on rigidity of Telugu directors and producers unable to deliver innovative concepts is a thesis generally used whenever we speak about Tollywood’s regressive standards.
For example, a case study of 2016 depicts on a dynamism being injected into our industry. Start it from ‘Nenu Shailaja’ to yesterday released ’24;’ our patrons encouraged the novelty with open hands. Nagarjuna’s ‘Soggade Chinni Nayana’ or Srikanth ‘Terror’ or Nani’s ‘Krishna Gaadi Veera Prema Gaadha’ or Sharwanand’s ‘Express Raja’ or Junior NTR’s ‘Nannaku Prematho’ or Ram’s ‘Neni Shailaja’ or PVP’s ‘Kshanam, Oopiri’ or Nandini Reddy’s ‘Kalyana Vaibhogame,’ reasons behind their victory underlines the changed perspective of an average Telugu viewer.
Drawing inspiration from these Box Office triumphs, young film makers should come forward to experiment on new genres because there are equal number of biggest failures in this same time period wherein majority of them belong to routine and rotten commercial formula.