Who dares to call Nandamuri Balakrishna as the hero of only masses with scarce adoration from class public? Our Box Office Bonanza spoke on clear facts about how audience in metros visiting multiplexes for his films behave like pure masses. ‘I never want to disappoint my Fans. I want audience to buy a ticket hearing to the only buzz of being called a Balakrishna movie.
In fact, it was my films which began the trend of throwing papers and money in multiplex screens when Fans go frenzy watching me (in songs, introduction scenes, powerful dialogues and fights) in loudly cheers (with whistles and claps). That’s why I encourage my Fans and audience to get the real kick of enjoying a Balakrishna movie by watching the film in theaters and not in small screens sitting at home with pirated prints. So, piracy never became a big problem for my movies,’ Balayya said.
Truly speaking, there is nothing like a line to divide class and mass movies. Balayya is the best example for this specific case. His super hits like ‘Samarasimha Reddy, Narasimha Naidu, Legend, Simha’ and many more have performed equally well in urban multiplexes and lower order B, C and D centers. That’s the rare specialty of Nata Simham set to repeat the same magic with ‘Dictator.’