Sye Aata Movie Review

Behind the Movie Sye Aata: Charmi, once the top star in Tollywood recognized for her body and talent has become fazed with time and this movie is considered as a comeback for every reason. Although there was quite a bit of discrepancy about the release of movie, ‘Sye Aata’ has hit the screens today. Let us see, what was Charmi’s play upto?

In the Movie Sye Aata: Shankar Babai (Kota) and Pandit (Shiva Prasad) are the rival gangsters ruling the Hyderabad. Their primary duty is to dominate over each other by killing each others team members.

Durga Malleshwari (Charmi) runs a dance school in Vizag and along with her team (Omkar’s Aata participants), she arrives in Hyderabad to win the reality dance show ‘Sye Aata’ of Omkar. (Omkar made his appearance in good number of frames as childhood friend of Charmi). Omakr arranges the boarding of Durga & team besides the shared den of Shankar Babai and Pandit.

Very soon, Durga impresses both the gangsters with her brave attitude. In the mean time Pandit’s son, Panda Mahadev (Ajay) falls in love with Durga and quickly Shanka Babai’s son is killed in a pub. To take revenge on Pandit for loss of his son, Shankar Babai kidnaps all the team members of Durga blackmailing her to kill both Pandit and his son Panda Mahadev.

Durga accomplishes her task by not only by killing Pandit and Panda Mahadev, even she finishes Shankar Babai. What was rivalry between Durga and these gangsters? Who Durga actually is? Why did she play this ‘Sye Aata’ with villains is revaled in a final flashback which ends the movie.

Values of the Movie Sye Aata: Surely this story dates back to years old and Bhasha Sri’s work on story and dialogues looked mediocre. Director KRK Pawan concentrated more on elevating Charmi and he was almost there in well utilising her energy. Script was plain with expected lines of narration. Music by Devisri Prasad was good, especially background he scored more marks. Camerawork by J. Prabhakar Reddy was a bit dull while Editing by Nandamuri Hari was abrupt at many stages. Production values of Frames Entertainments and Nalluri Rajasekhar were good.

Perfomance wise, it was a show of Charmi throughout. As movie is clubbed with dance competition, Charmi has got an opportunity to once again repeat ‘Maha Maha’ kind of movements. Looks wise Charmi was eloquent while performance wise Durga Malleshwari was rugged with enough mass tinge (Vizag Kaththi). Kota repeated his regular modulations and his body language steals the show. Shiva Prasad was okay. Ajay has got a role that is a mix of humor with villainy and he was good. Remaining ‘Aata’ players (Mounika and others) along with Master Bharath made heavy noise on the screen. Prabhakar, Suman Shetty, Rao Ramesh, Chalapathi Rao, Ali, Naazar and others were apt.

Out of the Movie Sye Aata: Director well utilised the image of Charmi to pull audience to theatres. With low publicity and awaited release, Charmi may satisfy audience to some extent. But, the regular and beaten story line and simple narration may serve as a drawback. Ali’s touch of humor as Nanna Chandrasekhar (similar to choreographer Amma Rajasekhar) with ‘Ghazini’ shades was hilalrious. Child participants of ‘Aata’ dance show should have enjoyed this different experience with Charmi. Omkar, the man with vision better utilised the team in his hand. Devisri Prasad’s work in songs like ‘Sye Aata (Title Song), My Name is Malleeshwari and Gajjela Gurram’ was rocking.

If entire first half was a show of Charmi with establishment of gangwars and comedy from children and Ali; second half was little dragged yet finds the ground with Charmi revealing her identity and purpose behind her Sye Aata.

Charmi’s charm, Kota’s action, Aata participants energy, patches of comedy are plus points while regular story, routine narration, lack of interesting moments make ‘Sye Aata’ an inspid show.                   

Cinejosh Verdict of the Movie Sye Aata: All the way Charmi’s Aata.

                                                                                            Reviewed by Srivaas