The Jailer franchise has become one of the biggest successes in Rajinikanth's recent career, with director Nelson Dilipkumar earning appreciation for his entertaining storytelling. Following the success of the first two films, Sun Pictures has reportedly given the green signal for Jailer 3. However, the third instalment is expected to take some time before production begins.According to reports, Nelson has been given complete creative freedom by Sun Pictures to develop Jailer 3. The director is reportedly free to decide the film's budget, casting and remuneration. He has already started working on the basic storyline and is expected to spend several months developing the screenplay before moving ahead with the project.Nelson's combination of dark humour, action and entertaining characters played a major role in making Jailer a blockbuster. Rajinikanth's portrayal of Tiger Muthuvel Pandian, with his powerful screen presence, stylish action sequences and memorable dialogues, became a major attraction. Fans are now expecting another interesting chapter with fresh characters and unexpected twists. Already Vijay Sethupathi was introduced in Jailer 2 climax along with return of Vidya Balan.Although news about Jailer 3 has generated excitement, several details about the project are still unclear. The official production schedule, complete cast and release date are yet to be announced. Nelson and Rajinikanth's reunion is expected to attract considerable attention, but fans will have to wait for an official confirmation about when the third part will go on floors. - Veda

Gossips

Nelson Gets Full Freedom For Jailer 3

Latest Update About Jailer 3 

Rajinikanth’s Jailer 2 is finally gearing up for its OTT premiere after a successful theatrical run. The makers have officially confirmed November 12 as the streaming date. Directed by Nelson Dilipkumar, the action entertainer will premiere on Amazon Prime Video, bringing Tiger Muthuvel Pandian back to entertain audiences at home.The film will stream in Tamil, Telugu, Hindi, Malayalam and Kannada across India and more than 240 countries and territories. Prime Video announced the release with a new poster featuring Rajinikanth and other cast members. The platform also teased fans with the tagline, “Tiger Muthuvel Pandian is back. Reloaded.”Jailer 2 has reportedly collected Rs 466.05 crore net in India, with its domestic gross reaching Rs 545.10 crore. Its worldwide collection stands at an estimated Rs 821+ crore after 21 days, according to trade estimates. The film has also emerged as a record breaking success for Tamil cinema.Meanwhile, reports about a possible 30 minute extended version have created curiosity among fans. The additional footage is said to include scenes featuring Mohanlal, Vijay Sethupathi, Hrithik Roshan and Santhanam. However, Sun Pictures has not confirmed these reports, leaving viewers waiting for the OTT premiere. - Veda

Movie News

Jailer 2 Arrives on Prime Video From This Date

Jailer 2 OTT Streaming Date

Regina Cassandra has reacted to the ongoing debate over the treatment of actresses in the Telugu film industry. The discussion gained attention after Janhvi Kapoor spoke about the Peddi controversy on Koffee With Karan, while Radhika Apte also shared her past experiences in Telugu cinema. Regina welcomed actresses speaking up but felt the issue should not turn into a North - South industry debate.In an interview, Regina said every actor has the right to question a scene or character portrayal that makes them uncomfortable. She believes actresses should not feel pressured to accept everything just because they are part of a project. According to her, artists must have the freedom to express their concerns and stand by their personal boundaries.Regina also recalled her experience with Akshay Kumar's Kesari Chapter 2, in which she played the actor's wife. She expressed disappointment with the film's promotional campaign, alleging that Karan Johar and Dharma Productions did not give her proper visibility. She particularly pointed out that the production house shared a song featuring her without tagging her on Instagram.The actress questioned why she was left out of the promotional posts despite being part of the film. She also wondered whether such treatment could be considered discrimination. Regina's comments have added another perspective to the discussion about actresses receiving recognition and equal visibility in the film industry, beyond the ongoing North - South debate. - Veda

Regina Reacts to Janhvi Kapoor Peddi Comments

Regina Cassandra Questions Karan Johar

&nbsp;&nbsp; Suriya’s Scene is heading for a November 6 Diwali release, but the film is facing a major challenge even before its first show. Despite having quality promotional material that has connected with a section of movie lovers, the overall pre release buzz is not particularly strong. The bigger concern is the limited number of theatres.Tamil Nadu is where the screen shortage could hurt Scene the most. The film is reportedly getting less than half of the available screens, with Nayanthara’s Mookuthi Amman 2 receiving a wide release through Red Giant Movies. Jailer 2 continues to occupy theatres, while Ramayana is taking a sizeable share of multiplex screens, leaving less room for Suriya’s film.The situation is also challenging in the Telugu states, where Aadarsha Kutumbam is still running after its October 30 release. NVR Cinemas is releasing Scene in Telugu, but Ramayana, distributed by Dil Raju’s Sri Venkateswara Creations at regular ticket prices, is expected to dominate theatre allocation. Karnataka faces a similar situation, while North India is likely to be heavily occupied by Ramayana.Kerala remains Scene’s biggest relief, with the film getting a comparatively better screen count and carrying expectations of Suriya’s biggest ever opening in the state. However, fewer theatres in other important markets could restrict its opening collections. The promotional content has found appreciation among a particular audience, but that has not yet translated into huge overall buzz. Scene now needs strong audience feedback to gain additional shows and theatres during the Diwali weekend. - Veda

Theatre Crunch For Suriya Scene

Suriya Scene Faces Theatre Shortage

&nbsp;&nbsp; Nayanthara’s Mookuthi Amman 2, also getting released as Mahasakthi in other languages, is gearing up for its November 6 Diwali release. Directed by Sundar C and produced by Ishari K. Ganesh under Vels Film International, the film reportedly carries a production budget of over ₹100 crore, raising expectations.The film has received a U/A 16+ certificate and has a runtime of approximately 2 hours 25 minutes. Nayanthara reportedly appears in dual roles, while Regina Cassandra, Duniya Vijay, Urvashi and Yogi Babu play important characters. Hiphop Tamizha has composed the music, and the film is releasing in five languages.Despite its big scale, advance bookings have started slowly. Recent tracking reports show opening day advance gross upto ₹1 crore only, which is very low considering the scale of the movie. The film also faces competition from Suriya’s Scene, which releases on the same day.The reported ₹100 crore production investment means the theatrical business needs to perform strongly. Satellite, digital and other non theatrical rights can help the producer recover a portion of the investment. Considering non theatrical recovery, the film atleast need to collect 100 crore gross worldwide to reach the break even target. Strong word of mouth and family audiences during Diwali will be crucial for theatrical recovery. - Veda

Herculean Task Ahead For Nayanthara

Mookuthi Amman 2 100 Cr Budget Puts Producer Under Pressure

&nbsp;&nbsp; Megastar Chiranjeevi is stepping into a new role as a talk show host with Megaverse, which is expected to premiere on Netflix. The upcoming Telugu celebrity talk show is already creating curiosity, with reports suggesting that several big names from the film industry could share the stage with the legendary actor.According to the latest buzz, Nagarjuna, Naga Chaitanya and Akhil Akkineni may appear together in a special episode. Their possible participation could bring the Mega and Akkineni families together on the same platform. Earlier reports also suggested a special appearance by Pawan Kalyan and Ram Charan, which has added to the excitement surrounding the show.The Daggubati family could also be part of the guest list, with producer D. Suresh Babu, Venkatesh and Rana Daggubati reportedly among the names to feature. If these combinations materialise, Megaverse could offer some interesting conversations involving leading Telugu film families, their personal experiences, industry journeys and behind the scenes stories.Megaverse is expected to focus on celebrity interactions, memorable incidents and lighter moments from the Telugu film industry. The show is backed by Gold Box Entertainments, Atom Media Ventures and Sol Production LLP. However, the reported guest appearances are yet to receive official confirmation, and audiences are waiting for Chiranjeevi or Netflix to reveal the final lineup. - Veda

Megaverse Is Expanding With Guest List

Akkineni and Daggubati Families Likely to Join Chiranjeevi Megaverse

&nbsp;&nbsp;Ramayana: Part 1 has arrived in theatres with huge expectations, carrying the scale of one of the most ambitious Indian films ever made. The epic has received a U certificate from the censor board, with a runtime of 195 minutes (3 hours 15 minutes), making it a lengthy theatrical experience for audiences.The film's official storyline follows Lord Rama, an incarnation of Lord Vishnu, who goes into exile with Sita and Lakshmana after his father's promise. Their journey takes a tragic turn when Ravana abducts Sita, leading to a massive battle between good and evil. Ranbir Kapoor plays Rama, Sai Pallavi appears as Sita, and Yash takes on the role of Ravana.Ramayana is reportedly made on a massive budget of ₹1,300 crore to ₹1,400 crore, making it one of the costliest Indian productions ever. According to trade estimates, the film needs around ₹2,000 crore in worldwide gross collections to reach its break even target. The reported theatrical recovery expectations stand at approximately ₹1,500 crore from India and ₹600 crore from overseas markets.The film has crossed ₹100 crore in worldwide opening day advance bookings, including around ₹60 crore from India and ₹40 crore from overseas. Day 1 worldwide gross estimates are in the ₹140 crore to ₹150 crore range, while the Diwali holiday period could help collections grow further if audience feedback remains positive. With such a huge investment, the real box office test will begin after the opening day.- Veda

Ramayana Box Office Business Dynamics

Ramayana To Become India Highest Grosses To Become Safe At BO

&nbsp;&nbsp; Suriya’s Scene is gearing up for a grand Diwali release on November 6, 2026. The Jithu Madhavan directorial has cleared its censor formalities with a U/A 16+ certificate and a runtime of 149.16 minutes (2 hours 29 minutes). The film is Suriya’s third theatrical release this year, following Karuppu and Vishwanathan and Sons.One of the biggest advantages for Scene is its controlled production budget. The film is reportedly made on a budget of around ₹50 crore, excluding Suriya’s remuneration, as he is also one of its producers. The film brings together an interesting cast featuring Nazriya Nazim, Naslen, Anandraj and Lal, with Jithu Madhavan directing after Malayalam hits Romancham and Aavesham.The makers have reportedly recovered the entire production investment through non theatrical rights, including digital, satellite and music deals. This puts Scene in a comfortable position before its theatrical release. However, the film needs to collect approximately ₹200 crore in worldwide gross to achieve hit status based on its reported theatrical business agreements.Advance bookings have started on a promising note, particularly in Kerala, where the film reportedly collected over ₹2 crore in pre sales within the first 24 hours. The latest reported advance booking gross has reached ₹5 crore, including ₹2 crore from Kerala and ₹3 crore from Tamil Nadu. The return of early morning shows in Tamil Nadu, along with the Diwali holiday advantage, could further help its opening. A positive audience response will be important for Scene to reach its box office target. - Veda

Suriya Scene Business Dynamics

Suriya Scene Turns Profitable Before Release

&nbsp;&nbsp; Ramayana: Part 1 was expected to deliver a massive opening at the Indian box office, with trade estimates suggesting at least ₹100 crore nett from its Hindi version alone. However, the latest opening day advance booking trend points towards a much lower start of around ₹65 crore nett across all languages.The film has registered ₹47.11 crore in India opening day advance booking gross, selling 12.83 lakh tickets across 25,931 shows as of 9 PM IST. The average ticket price stands at approximately ₹367, including 3D charges. While the overall pre sales look impressive, ticket pricing appears to be affecting occupancy in major Hindi markets.The Hindi version leads with ₹35.33 crore gross at an average ticket price of ₹442, but occupancy remains at just 19.1%. In comparison, Kannada has recorded ₹5.07 crore at 33.3% occupancy, while Telugu has collected ₹4.22 crore at ₹189 ATP with 28.1% occupancy. Tamil and Malayalam have also reported better occupancy than Hindi.The regional trend is equally interesting, with Karnataka leading state collections at ₹8.39 crore and 32.8% occupancy. Hyderabad has sold 1.08 lakh tickets, more than Mumbai's 51,547, despite generating a lower gross of ₹3.01 crore against Mumbai's ₹3.41 crore. With the November 5 release approaching, strong word of mouth and Diwali holidays could improve footfalls, but high ticket prices remain a concern for the film's opening. - Veda &nbsp;

Ramayana Pre Sales Gross and Occupancy

Ramayana High Ticket Prices Affect Opening Day Buzz

&nbsp;&nbsp;Ranbir Kapoor hails Sai Pallavi ahead of Ramayana release. Nitesh &nbsp;Tiwari's Ramayana Part 1 is releasing in 5 November 2026 and the second part willbe releasing during Diwali 2028. Ahead of the film release, Ranbir Kapoor who played Lord Ram praised Sai Pallavi who played Goddess Sita.He said "This is a trivia about her. She's the most spiritual person I've met in my entire life. Just the personality she has, her aura, her spirit is extremely spiritual.". Even Yash who played Ravana said "Sometimes you know we are getting carried away with our own thing. The way she surrenders or she always talks about a spiritual this thing but not outside, but we being close to her, she's somebody who doesn't take any credit or anything. She always gives it to the God or the universe that's now she has been."Sai Pallavi once said "When I say spirituality, I don't mean idol worship. It's about how happy you are and how much happiness you can spread around. I meditate. It's my daily ritual." This is such a profound understanding of what spirituality means. A lot of people confuse just idol worship with spirituality. However, its true essence lies in our ability to spread happiness around and controlling our thoughts." - Nirvighn Nandivada

Ramayana: Ranbir on Sai Pallavi

Ranbir Kapoor hails Sai Pallavi 

&nbsp;&nbsp; Telugu cinema has opened doors for several Bollywood actresses, giving them opportunities to work alongside some of its biggest stars. However, some of these actresses have also become vocal about their experiences in the industry. From Radhika Apte to Taapsee Pannu and now Janhvi Kapoor, Tollywood has repeatedly found itself at the centre of criticism.Radhika Apte recently recalled her experience with Balakrishna's Legend, saying she hated the idea of romancing an actor much older than her and playing a character involved in a relationship with her maternal uncle. She described the experience as patriarchal. She had also previously spoken about male dominance and the treatment of women on Telugu film sets.Taapsee Pannu has faced criticism for her remarks about South Indian cinema too. She questioned the emphasis on heroines' navels in song sequences, recalling an incident from her debut film Jhummandi Naadam. More recently, she spoke about the focus on actresses' bodies and uncomfortable costume demands. However, she has also acknowledged that Telugu cinema played an important role in giving her early recognition.Janhvi Kapoor is the latest to join this discussion following the Peddi controversy. On Koffee with Karan 9, she described her experience with the film's portrayal as violating and questioned the lack of bound scripts and detailed camera angles in South Indian cinema. Her remarks sparked criticism over whether one film experience should lead to generalisations about an entire industry.The three actresses have raised different concerns, but their comments have once again put Tollywood under scrutiny. There is no denying that issues involving women's treatment deserve attention. However, does criticism of individual films and experiences eventually turn into a judgement about an entire industry? Why does Tollywood keep finding itself in this debate?- Ashish

Radhika to Janhvi: Bollywood's Dig at Tollywood?

Tollywood Gives Them Chances, But Why the Criticism?

Over the last few years, actresses like Radhika Apte, Tapsee, Janhvi Kapoor and others have been attacking Tollywood after attaining name and fame by romancing top stars before making it to Bollywood.In the midst of all this, star producer SKN shared his views. He came up with the following powerful post.Accepting roles, working in South Indian cinema, gaining recognition and opportunities here, and then, years later, criticising the same industry, its stories and cultural traditions is becoming an unfortunate pattern.Every actor has the right to express an opinion. But there is a difference between constructive criticism and selectively looking down upon an industry that welcomed you.<h2>Telugu cinema and #SouthIndian cinema have their own cultural identity, traditions and storytelling values. What may seem unusual to someone from another region can be perfectly normal within our culture.</h2>Respect should be mutual. You cannot celebrate the opportunities and later disrespect the culture behind them. Constructive criticism is always welcome. Selective criticism and cultural superiority are not. Respect the industry that respected you. &nbsp;

Top producer takes on beauties attacking Tollywood

SKN on beauties attacking Tollywood

Ever since the dastardly attack on Class X students in Raptadu, Andhra Pradesh, people started blaming Sandeep Vanga, pointing out a similar scene in his film Animal.In the midst of all this, Sandeep Vanga came up with the following reaction. He posted &nbsp;"When someone commits a heinous crime, the first response should be empathy &amp; an attempt to understand the larger problem. Not finding a convenient scapegoat in cinema. It is becoming increasingly clear that your concern is not for the victims or their families, but that you're using a horrific tragedy as a dirty excuse to settle your personal scores."He added, "This is especially directed at those failed, frustrated, jobless male/female actors, a few directors, producers &amp; parasites, who suddenly appoint themselves as social reformers whenever an opportunity arises to take a dig at someone else's work. A tragedy deserves empathy 🙏, not opportunism. Learn the difference."Sandeep Vanga is all set to direct Prabhas in his film Spirit. He previously worked on films like Animal, Kabir Singh and Arjun Reddy.-- Pramod Nandivada &nbsp;

Bold Director powerful take on violence in real life

Sandeep Vanga on influence of films triggering violence

Mega Star Chiranjeevi's socio-fantasy entertainer Vishwambhara has been playing hide-and-seek with movie lovers. Recently, rumours came that Chiranjeevi decided to release the film during Sankranthi 2027 and postpone his upcoming release of Kaaka from 13 January 2027.In the meantime, reports are coming that the makers are planning to shoot a song. However, Chiranjeevi will not be taking part in the song shoot. A source shared, “They are planning to shoot a song, which will be one of the highlights of the film. However, Chiranjeevi will not be participating in it.”The source added, &nbsp;“The VFX and DI work is progressing simultaneously, and the team is gearing up for a grand release next year. An exact release date will be finalised soon.” The film's budget crossed Rs 270 cr thanks to the expensive VFX work.The source revealed. “Chiranjeevi is riding high on the success of Mana Shankara Varaprasad, and the makers are keen to bring Vishvambhara to theatres in early 2027.”---- Nirvighn Nandivada &nbsp;

Vishwambhara in a song shoot

Surprise happenings in Vishwambhara 

&nbsp;Kiran Abbavaram, a young and talented actor is coming with his upcoming film Hatah. It is known that Kiran Abbavaram is turning producer on Hatah.According to the latest, the film, which was supposed to release on 6 November 2026, has now backed off. Revealing the reason behind it, the makers said the film has been postponed indefinitely.They said the multiple releases this week forced them to opt out of the race. They also announced that this decision will help them come up with better output. The film stars &nbsp;Kushal Madha, Rehman, Namritha MV and Tanuja Puttaswamy in important roles.The music is tuned by Jecin George, and it is helmed by Anush Gorak. Anush Gorak is handling the cinematography also. The film is produced by Kiran Abbavaram along with Pournami Entertainments. It has to be seen how the postponement helps the makers.-- Pramod Nandivada&nbsp;

Hatah backs off

Kiran Abbavaram Hatah not hitting this week

Natasimha Balakrishna is coming to enthral movie lovers with his upcoming action entertainer titled in a powerful manner as Dada. The film is helmed by Gopichand Malineni. Expectations are high for the project, as Balakrishna and Gopichand Malineni earlier came up with the mass actioner Veera Simha Reddy.The film is progressing at a brisk pace and is slated for a grand release on 24 December 2026 as an X-mas special. However, recently rumours spread that the makers may postpone the film as the film got delayed due to Balakrishna's injury and they are looking to lock either Sankranti or Mahashivaratri in 2027.In the midst of all this, the makers came up with a powerful update. They confirmed the film's release on 24 December and also promised to come up with an update on the first single soon. They posted "December 24th First Single Dropping very very soon As Promised, This time it’s CHRIST-MASS"The film stars Kajal Agarwal as the female lead, while Manchu Manoj is playing the role of a powerful antagonist. Thaman is the music director for the film, produced by Venkata Satish Kilaru.-- Pramod Nandivada &nbsp;

Dada makers come up with a powerful update

Dada makers rubbish postponement rumours

&nbsp;Naga Chaitanya is known for his diverse range of entertainers. He recently entertained with his film Thandel and is currently busy with his upcoming entertainer, Vrushakarma. The film, directed by Karthika Varma Dandu of Virupaksha fame, is progressing at a brisk pace. The film is slated for a grand release on 4 December 2026.Now, the makers have come up with an update on the first single. The first single will be released on 7 November 2026. The first single is titled Swag of Arjun. Confirming the same, the makers released the new poster in which Naga Chaitanya sported an intense and stylish look.The film stars Meenakshi Chaudhary as the female lead, while Sparsh Srivatsava of Laapataa Ladies fame is turning the powerful antagonist. Ajaneesh Lokanath is the music director for the film.The film is produced by &nbsp;Sri Venkateswara Cine Chitra (SVCC) and Sukumar Writings in a prestigious manner. Vrushakarma has the interesting tagline Excavation Begins for which Ragul G is handling the cinematography.-- Nirvighn Nandivada &nbsp;

Vrushakarma first single announcement out

Vrushakarma: Time for  Swag of Arjun

For more than three decades Khans trio, Salman Khan, Shah Rukh Khan and Aamir Khan ruled the Bollywood and Indian film industry without any opposition and competition.The Khan trio overcame the competition that arose with changes in the tastes of the people, multiplexes and the OTT revolution, but many feel that the pan-India challenges changed it completely. Many feel that Ranveer Singh, Ranbir Kapoor and others are challenging the Khan trio.Ranveer with Dhurandhar and Ranbir with Animal unlocked the tough South market, which looked impossible even for the Khans. Ranbir with Rock Star, Sanju and Animal proved himself as a mass hero. Unlike Shah Rukh Khana nd Salman Khan, he is experimenting with his films. After Animal, now he is targeting the world market with the epic Ramayana. He can achieve the impossible only if the film gets unanimous positive talk.Though Shah Rukh, Aamir and Salman have international craze, it is surprising they have not tried an epic and mythological film till now targeting the international market, and it will be a plus point for Ranbir Kapoor. &nbsp;They are collaborating with international studios and production houses.But this alone cannot dethrone the Khan trio. It all depends on how an Indian star reaches the global arena. Ranbir and Ranveer are trying differently and it has to be seen how successful in their attempts.&nbsp;-- Nirvighn Nandivada &nbsp;

Who can replace the Khans

Speculation on Khans replacement

One look at the careers of heroines acting in Trivikram Srinivas' films highlights a huge contrast. Pooja Hegde and Samantha did not do more than one film with Trivikram. Though a few got good offers after that, their career didn't reach the next level. Nivetha Pethuraj played a key role in Aadarsha Kutumbam.In Ala Vaikunthapuramlo, Nivetha Pethuraj played a key role, and now she plays a role in Aadarsha Kutumbam. However, the role didn't help in any way. Nivetha Pethuraj got a good response for her roles in Mental Madhilo and Brochevarevarura. Though she did Red, Paagal, and Das Ka Dhamki, she didn't get roles opposite top stars.Meenakshi Chaudhary did a role in Trivikram Srinivas' Guntur Kaaram; her role is inconsequential. She, however, got a good role in Lucky Bhaskar. She said she got good roles after that, and she did Sankranthiki Vastunnam.Samantha was a top heroine before she did Attarintiki Daaredi. She did aS/O Sathyamurthy and A Aa. Pooja Hegde also did Aravinda Sametha and Ala Vaikunthapuramlo.But these hits can't be related to Trivikram Srinivas. Praneeta after Attarintiki Daaredi, curd Rabhasa and &nbsp;Hello Guru Prema Kosame. But they didn't get offers opposite Star heroes. The same is the case with Esha Rebbav, who featured in Aravinda Sametha.This proves that heroines who played roles in Trivikram Srinivas' films didn't get good roles. Nivetha Pethuraj got a good role in the web series Paruvu. Many feel that Nivetha Pethuraj got less screen presence in Aadarsha Kutumbam. It has to be seen how Nivetha Pethuraj career goes on from now on. &nbsp;- Nirvighn Nandivada

Wizard of Words failing his Beauties 

What heroines gained with Trivikram films

&nbsp;Low-budget film Summer Holidays is capturing the day of all. Much to the surprise of all, the film is releasing on 6 November and is competing with biggies like Ranbir Kapoor's Ramayana and Surya's Scene.The makers are confident that the fun-filled elements and entertaining content will attract everyone. According to the latest, the film has completed its censor formalities. Members of the Censor Board, after watching the film, cleared the decks for the film's theatrical release on 6 November 2026 by awarding a clean U certificate.The film is directed by Srikar Nayan G and stars Rohan Roy and Arun Dev Pothula in the lead roles. Khushi Soni, Harshavardhan, Vasuki Anand, Rajiv Kanakala and Jayasudha are playing important roles in the film, for which music is tuned by Sinjith Yerramilli. Dheeraj Mogilineni is producing the film in a prestigious manner.The film's promotions are appealing to all, taking them back to their childhood days.- Nirvighn Nandivada&nbsp;

Summer Holidays censored

Summer Holidays done with the censor 

Production No. 1, the maiden film under the Kishore Movie Makers banner, produced by N.N. Kishore, was launched grandly on Wednesday morning at Ramanaidu Studios in Hyderabad. The film’s inaugural ceremony was held amidst the presence of prominent film personalities and special guests. Sensational director VV Vinayak and promising hero Aadi Saikumar attended as chief guests, making the occasion even more special. VV Vinayak handed over the script to the team and extended his best wishes, while producer N.N. Kishore sounded the clap for the muhurtham shot. Aadi Saikumar switched on the camera and congratulated the entire team.Prominent producer Malkapuram Shivakumar, Siddu Reddy and Chikoti Praveen also attended the event as special guests and conveyed their best wishes to the team. Several other film personalities, actors, directors, producers and well-wishers were present at the ceremony and extended their support to the new venture.Divakar Yedla, who previously worked as an associate with director Ravikumar Chowdary and Ghatikachalam, is making his directorial debut with this film. The project is being developed as a beautiful love story blended with entertaining elements that are expected to appeal to audiences across all sections. Vijay Raj Kumar, who will soon be seen in Delulu, plays the lead role, while Archana Jois, who earned recognition for portraying Yash’s mother in the Kannada blockbuster KGF, plays the female lead. Athithi Myakal, who made a mark with films such as Arjun Reddy and Ameer Sha Amee, will be seen in an important role.Speaking at the launch, director Divakar Yadla said, “Love is a beautiful emotion that blossoms between two hearts. Our aim is to present that feeling on screen with honesty and in a way that touches the hearts of audiences. Everyone who watches this film will be reminded of some beautiful moments from their own lives. We are shaping it into a pleasant entertainer that will appeal to youngsters as well as family audiences. We have planned shooting schedules in Hyderabad and Kerala. The story itself is the real hero of this film. I sincerely thank producer N.N. Kishore for believing in me and giving me this opportunity, along with the cast and technical team. My heartfelt thanks to all the film personalities who attended the launch and blessed our team. The audience's support will be our greatest strength.”Producer N.N. Kishore said, “Cinema is our passion, and that passion inspired us to establish the Kishore Movie Makers banner. It is a great pleasure to begin our maiden film in the presence of so many senior film personalities and with their blessings. At the same time, their support has increased our responsibility. Our goal is to deliver a film that wins the hearts of audiences through a good story and quality production values. We have complete faith in the story narrated by director Divakar. We will produce this film without compromising on quality. My heartfelt thanks to chief guests VV Vinayak and Aadi Saikumar, Malkapuram Shivakumar, Chikoti Praveen and everyone who attended and blessed us. With the intention of encouraging fresh talent, we are ready to produce more films under our banner. I hope to receive your blessings and the continued support of audiences.”Hero Vijay Raj Kumar said, “This is a complete entertainer. Director Divakar has prepared a wonderful story, and I am very happy to be part of this project. We will begin regular shooting soon. The film is being made in a way that will appeal to both youngsters and family audiences.”Heroine Archana Jois said, “I have already acted in several Kannada films and received considerable recognition for playing Yash’s mother in KGF. Telugu audiences have also shown me a lot of love and support. I am delighted to make my debut as a heroine in a straight Telugu film with this project. It is a pleasure to work with such a good team.”Athithi Myakal said, “I am very happy to have the opportunity to play an important role in a film being made with an interesting story. Director Divakar is bringing this project together with a good script, and I am confident that the film will appeal to audiences.”Launched grandly with the blessings of sensational director VV Vinayak, hero Aadi Saikumar and several prominent film personalities, Kishore Movie Makers’ maiden venture has generated interest from the very beginning. Blending romance with entertainment and emotions, the film is expected to begin regular shooting soon. The project will be filmed in Hyderabad and Kerala, with the makers set to announce further details soon.

Kishore Movie Makers’ Maiden Film Launched Grandly by Sensational Director VV Vinayak

Kishore Movie Makers’ Maiden Film Launched 

Aniesh and Anaswara Rajan are coming to entertain movie lovers with a romantic entertainer, Itllu Arjuna. The film, directed by Mahesh Uppala, is racing for a spectacular release on 13 November. The film's teaser and promotions got a good response from movie lovers.Today, the makers released the trailer of the film. NTR released the trailer and wished the makers all the best. He posted, '@anieshforyou, your debut speaks without a single word, and that takes real guts. Choosing a role like this for your very first film shows how much you believe in the story over everything else. Wishing you a wonderful start, brother.Best wishes to @MusicThaman #AnaswaraRajan @itsmaheshuppala @rajamahadhevan @VenkyKudumula and the entire team on their release on Nov 13th."Aniesh played the role of a mute person in an effective manner, and he expressed and impressed with his emotions. Anaswara Rajan attracts with her looks and screen presence. Mukesh Rushi and Kalaiyarasan also made their presence felt. The music and BGM are handled by Thaman. Raja Mahendran is the cinematographer, and the film is produced by Venky Kudumula, who turned producer and is on his banner, What Next Entertainments.Nagarjuna is presenting the film, and the film's promotions are increasing expectations among movie lovers.-- Pramod Nandivada

itllu Arjuna trailer talk

Itllu Arjuna trailer review 

Dhanush who is known for doing different genre entertainers is coming to entertain with his action entartainer OM. The film directed by Rajkumar Periasamy of Amaran fame is releasing on 20 November 2026.The film is releasing in two parts and the first part is titled OM: Chapter 1 Rudhiram: The Blood Wood. According to the latest, top Telugu house Sitara Entertainments is bringing the film into two Telugu states Telengana and Andhra Pradesh.Mammootty is playing an important role while Sreeleela, Sai Pallavi are playing the female leads. The film also stars Naseeruddin Shah, Indrans and Chaitu Jonnalagadda in important roles.Inside talk is the film touches the controversial shooting of the 20 suspected red sandalwood smugglers by the cops in the Sheshachalam forests in Andhra Pradesh in 2015.The music for the film is scored by Sai Abhyankar. Shraddha Agrawal, Dhanush, and Azmat Jagmag are producing the film under Wunderbar Films and RTake Studios.-- Nirvighn Nandivada

Top banner brings OM in Telugu states 

Sitara Entertainments brings OM in Telugu states 

Nitesh Tiwari's Ramayana captured the imagination of all as it is made with a whopping budget of over Rs4000crs. The film's first part is releasing on 5 November 2026. The film stars Ranbir Kapoor, Sai Pallavi and Yash in the lead roles.The film also features Sunny Deol,Anupam Kher, Kajal Aggarwal, Rakul Preet Singh, Vivek Oberoi, Kunal Kapoor, Adinath Kothare, Arun Govil, Indira Krishnan, and Lara Dutta in crucial roles and the music is tuned by Hans Zimmer and A. R. Rahman.Ahead of the film release, Allu Arjun wished the makers.Taking to his X handle, Allu Arjun shared a poster of Ramayana and wrote, "My best wishes to the entire #Ramayana team. It’s not just a movie. It’s a representation of our culture and an attempt to raise the bar of Indian films. I wholeheartedly send my pure, positive wishes to the entire team for their divine attempt. Let’s all unite and come forward to support a pure attempt that carries our stories, our culture and our glory. Jai Sri Ram."The film is produced by Namit Malhotra on Prime Focus Studios and VFX powerhouse DNEG, in association with Yash's Monster Mind Creations. - Pramod Nandivada

Ramayana: Icon Star wishes the makers

Allu Arjun wishes Ramayana team

Andhra Pradesh Film Chamber of Commerce has formed a committee to check the inflow of dubbing films at the cost of local films as there is a yawning gap in the production cost between the two. The committee comprising producers, distributors and exhibitors will be discussing the proposals and pass a resolution to be sent to the State Government to legislate it.
Some of the proposals before the committee include: 1. Increasing the tax on dubbed movies from the current 20 percent to 50 percent. 2. Allowing the release of only straight Telugu movies during important festivals. 3. Restricting the number of screens for dubbed movies (producers say 85 theatres while exhibitors demand 150). The resolution will ask the Government to implement the demands from January 1, 2012.

Detailed Proposals to Stop Dubbing Films 

Telugu Film Industry is sitting on the horns of a dilemma. On the one hand it wants the government to discourage dubbed films and on the other it faces the charges of encouraging imports at the cost of local talent.&nbsp;The Producers Council recently met the Chief Minister K. Kiran Kumar Reddy with a representation to hike the tax for dubbed films and slash the tax rates for desi films. Small budge and straight films (Telugu) are unable to get dates due to the rush of dubbing films swarming the screens during festival season as the tax rate is low while the production (dubbing) cost is far less.
As on date there are about 26 small films waiting for release while big banners have booked the theatres till Sankranti and many of the theatres are controlled by some production houses as well.&nbsp;The two-edged sword spells dichotomy as a senor artiste accused the Producers (or Film Chamber) of allowing actors from other languages to act in Telugu films. They neither know the language nor have the native look but they are paid more than local artistes and are getting a far better treatment which is not going well with local artistes, says veteran star Kota Srinivasa Rao.
It is always producers, hero and or the director that matter and they decide the line of any film. They have decided that every film can have a maximum of three artistes from outside, which invariably includes the heroine. Movie Artistes Association (MAA) is also in the know of things and gave its nod. Paradox is that majority of the heroines are not members of MAA and it has served notices on them and set a deadline but nothing happened.
Whether the big and powerful production houses and families control MAA or not, no action seems to be taken on them. Still the heroines continue act in big budget films while members of the association struggle for existence or are being sidelined or underpaid and at times ill-treated.&nbsp;
&ldquo;The amount they spend on imports is exorbitant and anyone coming from other states is given priority and a royal treatment. Even I acted in Hindi and other languages and they treat us like any other artiste or even a shade less, but here it is the opposite. They accuse me of coming late and charging more. When people of other languages are paid hefty sums, being a local talent, I can demand a higher sum. They pay if they need me but they cannot use this as a propaganda tool to smudge me and promote them,&rdquo; Kota said during a debate on Hollywood crisis beamed by a TV Channel.
&ldquo;We were given land and other sops by the State Government in a bid to shift the Telugu Film Industry from Chennai to city. We should do justice to what we received and what we promised to the Government. At least the next generation should be given enough chances and producers should not make use of the resolution of taking three imports per film to the hilt,&rdquo; he suggested.
While the producer&rsquo;s council is harping on increasing tax for dubbing films and restricting the number of screens, another controversy broke with a young star praising a Tamil film and a director and senior artiste taking objection to it. The issue was hushed up later.&nbsp;But dubbing films are cutting into the local films&rsquo; revenue. When top stars and big business houses are spacing their films and restricting to one film a year and small timers are unable to get the screens as a section of the film land prefers dubbed versions over the low budget films.
Film Chamber has set up a committee roping in producers, studio owners, distributors and exhibitors to sort out the complex issue. For sure, a consensus unlikely but it is a good step for the betterment of the industry.&nbsp;When Karnataka film artistes demanded a ban on Telugu films as there were no takers for their home films, Telugu artistes raised a hue and cry. &nbsp;Karnataka government intervened and imposed some restrictions. Even in Tamil Nadu there are restrictions over other language films in terms of number of screens and tax structure as well.
Tollywood is also asking for the same. At the same time it should also consider how much of encouragement is it giving to local talent and whether or not the dependency rate on imports is growing.

Dubbing Films + Imported Actors = TFI

Ramayana Part 1 (2026) Movie: What's BehindRamayana is one of the most ambitious Indian films, bringing the country's much-loved epic to the big screen on a grand scale. Nitesh Tiwari, known for films like Dangal and Chhichhore, has taken up the responsibility of presenting this timeless story to audiences across the world. Ranbir Kapoor as Lord Rama, Sai Pallavi as Sita and Yash as Ravana have added to the curiosity surrounding the project. With A.R. Rahman and Hans Zimmer handling the music, expectations are high. The film's massive scale and star cast have made it one of the most anticipated cinematic ventures. Let us see how far Ramayana lives up to the expectations.Ramayana Part 1 (2026) Movie: StoryThe Ramayana is a story that needs no introduction. Nitesh Tiwari brings the epic to the big screen, focusing on the journey of Rama, his marriage to Sita, their exile and the events that lead to her abduction by Ravana. The first part introduces the key characters and sets up the conflict between Rama and Ravana, with the much-awaited battle left for the next instalment.Ramayana Part 1 (2026) Movie: PerformancesRanbir Kapoor looks convincing as Lord Rama. He brings the required calmness and dignity to the character. Sai Pallavi is a good choice for Sita, and her natural performance adds grace to the role. Both actors do justice to their characters.Yash makes his presence felt as Ravana. His looks, body language and screen presence suit the character, and he brings the required intensity whenever he appears. Ravi Dubey is good as Lakshmana, while the supporting cast does its job well.Ramayana Part 1 (2026) Movie: Technical AspectsThe biggest attraction of Ramayana is its scale. The sets, costumes, locations and production design give the film a grand look. The visual effects work well in several important sequences, though a few shots could have been better. The Jatayu episode is one of the film's standout moments.A.R. Rahman and Hans Zimmer's music adds weight to the proceedings, particularly in the important sequences. The background score works better than the songs. Cinematography is impressive, while the editing could have been sharper in a few portions.Ramayana Part 1 (2026) Movie: AnalysisNitesh Tiwari has taken up a challenging task, and there is no doubt that the film has been mounted on a huge scale. Ranbir Kapoor and Sai Pallavi do justice to Rama and Sita, while Yash brings the necessary power to Ravana. The casting is one of the film's strengths.However, the film doesn't maintain the same pace throughout. Some episodes take longer than necessary, and the narration loses momentum in a few places. Despite having several visually impressive moments, the emotional impact is not equally strong across the film. The familiar story also puts more responsibility on the writing to keep audiences engaged, and this is where the film could have done better.The first part largely concentrates on establishing the characters and their worlds. While it offers enough moments to enjoy on the big screen, the wait for the actual Rama-Ravana battle may leave some viewers wanting more.Ramayana Part 1 Movie: Plus Points<ul><li>Grand production values</li><li>Ranbir Kapoor and Sai Pallavi's performances</li><li>Yash as Ravana</li><li>Impressive visuals</li><li>Jatayu episode</li><li>Background score</li></ul>Ramayana Part 1 Movie: Minus Points<ul><li>Slow narration in parts</li><li>Lengthy runtime</li><li>Uneven visual effects</li><li>Emotional impact could have been stronger</li><li>Editing could have been tighter</li></ul>Ramayana Part 1 (2026) Movie: VerdictRamayana has the scale and performances needed for a grand theatrical experience. Ranbir Kapoor, Sai Pallavi and Yash make the familiar characters interesting to watch, and some sequences leave a strong impression. However, the slow narration and lack of consistent emotional depth hold the film back. It is a decent first instalment that sets up the bigger conflict for the next part.

Ramayana Review

Rudravanam PS Web Series: What's BehindRudravanam PS webseries starring Naresh Agastya under the direction of Sasidhar Munnangi is streaming on Zee5 starting from 30 October. Let us find out how the web series thrilled movie lovers.Rudravanam PS Web Series: Story ReviewRudravanam PS story revolves around mysterious murders and disappearance of a politician and where the investigation by the cops lead to. CI Venu Gopal (Banerjee) along with SI Siva Kumar (Naresh Agastya) starts investigating the mysterious disappearances of 8 people that include even the brother of MLA Bhairavulu (Raja Ravindra). Where this leads to, how it is connected to his wife Swarna (Preeti Sunder), Anji (Charu Vaken) and others form the interesting twist.Rudravanam PS Web Series: Artists ReviewNaresh Agasthya performed well in his role. He showed his acting talent showing variations in his body language and screen presence. He showed the required seriousness in his role during the investigation and while following orders from the higherups. &nbsp;He delivered dialogues highlighting the emotions with his expressions. Charu Vaken impressed with his performance in the final episodes.Banerjee is good in the role of the higher up. Shravani Reddy is good in her role. However Anji's character is not shown in the most interesting manner. Raja Ravindra, Preeti Sundar, Shiva Alapati performed according to their roles.Rudravanam PS Web Series: Technicians ReviewRudravanam PS story is written by Taj Sayed and is helmed by Sasidhar Munnangi. He tried to excite all with the crime thriller. The first four episodes progress in a interesting and exciting manner. He designed the character of Naresh Agasthya. The happenings involving the character of Anji is good. But these things could have been shown in the more impactful manner.Sasidhar Munnangi the loses plot in the last three episodes diluting the intensity levels. Had these scenes designed in &nbsp;an interesting manner, things would have been different. The more subplots as the investigation progresses resulted in the decrease of interest leves as it resulted in confusion all over. It turned out to be a mixed bag with few scenes getting dragged unnecessarily and some scenes ending rather abruptly.Many murder mysteries came with such plot and very few of them are engaging. Rudravanam PS also fails to engage. The first four episodes though interesting are dragged showing the restlessness in the police force and the story do not head anywhere. The entire story is narrated in the last two episodes and the &nbsp;motive of the culprit is shown in the last episode and this is little interesting. However, even that pales due to the weak motive.Ashkar Ali with his cinematography showed the rural village atmosphere in the natural and realistic manner. However Madhav's editing should have been &nbsp;more sharper as there are many scenes that slowed the pace of the narration. The background music of Saluri Vasu Rao is good and added value to the narration. Production values are good.Rudravanam PS Web Series: Advantages<ul><li>Naresh Agasthya's characterisation</li><li>BGM</li><li>Cinematography</li><li>Interesting &nbsp;Climax</li></ul>Rudravanam PS Web Series: Disadvantages<ul><li>Missing Emotions</li><li>Spineless Screenplay</li><li>Subplots</li><li>Weak Twists</li></ul>Rudravanam PS Web Series: Rating AnalysisAltogether, Rudravanam PS turns out to be a routine investigative thriller. Naresh Agasthya came up with a spirited performance and director Sasidhar Munnangi tried to thrill viewers in this 7 episodes webseries. While he made an impactful start with the first four episodes showing the investigating episodes in an exciting and interesting manner, the last three episodes except for the climax goes for a toss. For all his efforts, though the characterisation of Naresh Agasthya's role appeals, everything goes missing. The story lacked the emotional connect with things passing through the motions and screenplay turning spineless and stale without offering nothing much to excite. Little finetuning of the script and racy screenplay and powerful emotions would have added more punch to the story. Considering all these elements, Cinejosh goes with a 2 rating for Rudravanam PS.

Rudravanam PS Web Series Review

Akka (2026) Web Series: StoryAkka is set in the 1980s in Pernuru, a fictional South Indian kingdom ruled by women for generations. The society follows its own traditions, with women holding power and men having a limited role in the kingdom's affairs. Bhavani (Keerthy Suresh) is the powerful matriarch who controls the kingdom and tries to protect its traditions and authority.However, her world gets disturbed when Rudra (Radhika Apte), an outsider with a personal vendetta, enters Pernuru with plans to take control. What follows is a violent battle involving power, revenge, betrayals and family rivalries. How Bhavani handles the threat and what happens to the kingdom form the rest of the story.Akka Web Series: PerformancesKeerthy Suresh gets a strong character in Bhavani, but the writing does not give her enough emotional depth to make the role memorable. She manages to bring some authority to the character, although the overall impact remains limited.Radhika Apte gets an interesting role as Rudra, but her characterisation and dialogue delivery do not create the desired impact. Tanvi Azmi and Monika Panwar have their moments, while Mahesh Manjrekar, Anshuman Pushkar, Vishak Nair and the rest of the supporting cast have limited scope to make an impression.Akka Web Series: AnalysisAkka starts with an interesting premise. A fictional kingdom controlled by women, where power struggles and gangster politics take centre stage, offers plenty of scope for an engaging period crime drama. The conflict between Bhavani and Rudra also provides an interesting foundation.Unfortunately, the writing fails to make proper use of this idea. The series spends considerable time establishing its fictional world, traditions and characters, but struggles to create emotional involvement. Despite several betrayals, violent confrontations and power games, the proceedings rarely become engaging.The biggest problem is the lack of strong characterisation. Both Bhavani and Rudra are introduced as powerful women, but their motivations and emotional journeys are not explored effectively. Several subplots occupy considerable screen time without adding much value to the central conflict.The series also relies heavily on violence and grand visuals to create an impression. However, the action sequences lack the impact required to elevate the drama. Even when the narrative reaches important turning points, the emotional connect remains weak.Akka Web Series: Technical AspectsThe production design, costumes and locations give the series a lavish appearance. However, the artificial presentation and excessive stylisation make the fictional world less convincing. The background score is largely unremarkable and fails to enhance the intensity of the confrontations. The writing and direction needed much more conviction to turn the ambitious premise into an engaging drama.Akka Web Series: Plus Points<ul><li>Interesting central premise</li><li>Some detailing of the matriarchal society</li><li>Lavish production design and costumes</li></ul>Akka Web Series: Minus Points<ul><li>Weak and simplistic writing</li><li>Poor character development</li><li>Lack of emotional depth</li><li>Unconvincing world-building</li><li>Underwhelming action and background score</li></ul>Akka Web Series: VerdictAkka has an interesting premise and a lavish setup, but the execution fails to match its ambition. The power struggle between two strong female characters could have made for an engaging gangster drama. However, weak writing, shallow characterisation and a lack of emotional depth make the series a disappointing watch. Despite its visual grandeur, Akka turns out to be more about show than substance.

Akka Web Series Review

KilleR(2026) Movie: What's BehindJyothi Poorvaj's film KilleR directed by Poorvaaj is releasing on 30 October 2026. The film is testing its luck releasing along with Venkatesh's Aadarsha Kutumbam and Vishwak Sen's Cult. The film's OTT rights are yet to be inked. Let us see what the film offered to movie lovers.KilleR(2026) Movie: Story ReviewKilleR story revolves around the happenings in the life of a writer and its connection with the security issues of the country. Investigating Officer (Sukku Poorvaj) stars investigating a case which involves a beautiful, mysterious and dangerous girl.His investigation leads to startling revelations and where does it leads to and how it is connected to an aspiring writer Raksha Rai (Jyothi Poorvaj), her brother Karthik (Chandrakanth Kollu), scientist (Jyothi Poorvaj), Gayatri (Archana Ananth ) and who are spy, terrorist, actress and vampire (Julia, Sia, Rania, Rakthia) (all played by Jyothi Poorvaj) form the interesting part.KilleR(2026) Movie: Artists ReviewJyothi Poorvaj tried to show variations in different roles she played. She indulged in glamor treat to attract youth. She is ok with her expressions. Most of the role her role demanded singular expression and it is ok. She delivered dialogues accordingly. She also enacted few stunts to thrill.Chandrakanth Kollu who made his debut in the role of brother is good. He showed emotions and delivered dialogues and came up with a decent performance. Poorvaj played the role of the scientist and investigating officer. He overacted in the role of the investigating officer testing the patience of all. He is fine in the role of the scientist.Manish Gilada, Archana Ananth,Vishal Raj, Chakradhar and others performed according to their roles.KilleR(2026) Movie: Technicians ReviewKilleR story is penned by Poorvaj. He tried to thrill viewers with spy thriller with sci fi elements. He started the narration in an &nbsp;interesting way but quickly loses plot even before the interest is built. He tried to come up with numerous questions and with different screenplay and taking, use of various technological jargons, he decided to provided the answers.While he generated interest with some of the scenes, the investigation scenes irritates viewers with the overaction of the cast and the repetitive scenes. The end of the first half sets the stage for the second half. Couple of twists in the second half turnout to be ok but many scenes in the second half turned repetitive and routine. There are many illogical scenes and also the climax scenes looks out of snyc.Ashirvad &amp; Suman Jeeva's background score followed the same template. While in the beginning it is good and makes an impact, later it turned out to be typical and routine. Jagadeesh Bommisetti's cinematography is of good standards. He showed the scenes in a decent and appealing way. The VFX and CGI are decent. Editing of Poorvaj could have been far better especially in the second half. Dialogues are ok and production values are good.KilleR Movie: Advantages<ul><li>Concept</li></ul>KilleR Movie: Disadvantages<ul><li>Everything</li></ul>KilleR(2026) Movie: Rating AnalysisAltogether, KilleR turns out to be an atrocious flick. Director Poorvaaj came up with a story that looked silly to the core. The cast and crew just passed through the motions. The non-linear screenplay ended up testing the patience of all the movie lovers and also confuses everyone. No amount of changes in the story, screenplay, or soul would have changed the final output. Considering all these aspects, Cinejosh goes with a 1.25 rating for Killer.

KilleR Review

Cult(2026) Movie: What's BehindMass Ka Das Vishwak Sen who is known for his different genre mass entertainers is coming up with the film titled Cult. Interest levels are increasing as Vishwak Sen himself is directing the project. With the makers promoting the film as the most violent, people are excited. The film's OTT rights have been bagged by . Let us see what Cult offered to movie lovers.Cult(2026) Movie: Story ReviewCult story revolves around the shocking incidents that happen inside the birthday party of the top politician's son. Home Minister (Murali Sharma) aspires to be the next CM and in the meantime, shocking incidents happen in the birthday party hosted by his son Elvin (Tarak Ponnappa). &nbsp;What are those shocking incidents, what role DSP Sanklap Nayak (Vishwak Sen) played and how Maya (Gayatri Bharadwaj), Police Commissioner Vijay Mishra (Srikanth Iyengar) are connected form the crux of the narration.Cult(2026) Movie: Artists ReviewVishwak Sen once again made an impact with his swag and mannerisms in the role of the police. He showed non sensical attitude in a realistic way in his body language. He made good impact with his expressions and emotions. His dialogue delivery &nbsp;and punches elevate the scenes. He enacted stunts with ease and with full energy.Tarak Ponnappa is good in the role of the minister's son. He impressive with his arrogant mannerisms. Murali Sharma is good in the role of the Home Minister and Srikanth Iyengar made his presence felt as the commissioner. Gayatri Bharadwaj is ok with her performance but her role is not that of importance in the film.Cult(2026) Movie: Technicians ReviewCult story &nbsp;is penned by Vishwak Sen. He tried to thrill viewers with the violent action thriller. However he came up with a routine revenge drama increasing the dosage of violence. Most of the time, the narration is high on action and violence sequences and due to this the story and screenplay went for a toss. The entire first half is loaded with predictable elements and the story picks up pace only after the entry of Vishwak Sen &nbsp;and the games in the party. The interval bang sets the stage for the second half.The second half is racy with the unraveling of the mystery and blended with action elements. But &nbsp;the flashback turns routine and climax lacks the thrill. The film ends with the lead to the sequel. The story resembles that of Squid Games and though it is new to the Telugu movie lovers on the big screen, those who watches similar films in OTTs find nothing exciting.The background music of Ravi Basrur elevated many scenes. Aravind Viswanathan's cinematography is good and showed the scenes in a stylish way. The editing of Ravi Teja Girijala is ok. Production values are ok.Cult Movie: Advantages<ul><li>Vishwak Sen</li><li>Action Sequences</li></ul>Cult Movie: Disadvantages<ul><li>Flashback</li><li>Climax</li></ul>Cult(2026) Movie: Rating AnalysisAltogether, Cult turns out to be routine violent action entertainer. Vishwak Sen acted and directed the film. Vishwak Sen drew inspiration of Hollyood films and series like Squid Games. The story turns routine and screenplay turned out to be a mixed back. With the most of the story starting only after more than one hour, viewers get impatient. The weak flashback and climax played the spoilsport.To the top of it, Vishwak Sen who made an impact as an actor on the screen appears only at the end of the first half, disappointing all. Little finetuning of the script and racy screenplay, doing away with predictable first half and other scenes, things would have been different. Considering all these elements, Cinejosh goes with a 1.5 rating for Cult.

Cult Review

Aadarsha Kutumbam(2026) Movie: What's Behind Victory Venkatesh and Trivikram Srinivas' Aadarsha Kutumbam is releasing on 30 October 2026. Expectations are high as Venkatesh and Trivikram are coming together for the first time after Trivikram earlier penned super hit dialogues for Venkatesh's evergreen classics Malliswari and Nuvvu Naku Nachav. Trivikram is also experimenting with dark comedy for the first time.The film's OTT rights have reportedly been bagged for a fancy sum, with streaming planned after its theatrical run. Let us see whether Trivikram's dark humour and Venkatesh's comedy timing work for movie lovers.Aadarsha Kutumbam(2026) Movie: Story Review Aadarsha Kutumbam revolves around a middle-class family and the happenings in their debt-ridden lives and how they deal with an unexpected situation.Chitti Babu (Venkatesh) leads a middle-class life filled with debts, largely because of his wife Swarna (Srinidhi Shetty). His life changes completely after one incident. Where this incident leads him and his family, and how the other characters become part of the story form the rest of the developments.Inspector Damodar Naidu (Nara Rohith), DSP Bruhaspati (Rao Ramesh), Malathi (Nivetha Pethuraj), Chandan (Udaybir Sandhu), Judge Pradeep Sarkar (Nassar), Sarwa (Raj Prajwal) and Sampoorna (Yuvina Parthavi) play important roles in the proceedings.Aadarsha Kutumbam(2026) Movie: Artists Review Venkatesh slips into the role effortlessly. He entertains with his trademark mannerisms, dialogue delivery and expressions. He also emotes well in the serious portions and carries several scenes with his screen presence. His performance remains one of the film's biggest strengths.Srinidhi Shetty looks good on screen and impresses with her innocent performance. Her chemistry with Venkatesh looks fresh and works well.Nivetha Pethuraj attracts with her looks but gets a relatively limited role. Nara Rohith plays an important character and delivers a decent performance.Satya is good on screen and manages to evoke a few laughs, although he could have been utilised better. Dimple Hayathi sizzles in a special song. Yuvina and Raj Prajwal are good as the children. Rao Ramesh impresses with his distinctive dialogue delivery.Nassar has a small role, while Brahmaji, Raghu Babu and Sachin Khedekar do justice to their respective parts. Udaybir Sandhu is fine as the villain.Aadarsha Kutumbam(2026) Movie: Technicians Review Trivikram starts the narration in an interesting manner and introduces Venkatesh with an entertaining sequence. The first half then moves forward with a mix of comedy and family situations. Though the proceedings are somewhat predictable, Trivikram's dialogues and Venkatesh's performance keep the momentum going.The interval sequence comes with a surprise and creates some interest for the second half. However, the sequence also reminds us of the Tamil film Blast.The second half is where the film loses some of its freshness. The proceedings become predictable and repetitive, with the story largely focusing on how the family tries to save themselves from the criminals. Still, there are a few entertaining moments and twists that keep the film watchable before it reaches a predictable conclusion.Trivikram's story does not offer anything particularly new apart from a couple of twists. The screenplay is straightforward and lacks the novelty expected from him. However, his trademark dialogue writing and the performances help the film in several places.Thaman's songs do not make much of an impact and are not presented particularly well on screen. His background score, however, is effective and suits the proceedings.Ravi K Chandran's cinematography gives the film a colourful and appealing look. Naveen Nooli's editing is good, though the second half could have benefited from tighter cuts. The dialogues work in parts and the production values are good.Aadarsha Kutumbam Movie: Advantages<ul><li>Venkatesh</li><li>Entertaining first half</li><li>Comedy and family moments</li><li>Few interesting twists</li><li>BGM</li></ul>Aadarsha Kutumbam Movie: Disadvantages<ul><li>Predictable second half</li><li>Familiar situations</li><li>Lack of novelty in the screenplay</li></ul>Aadarsha Kutumbam(2026) Movie: Rating Analysis Altogether, Aadarsha Kutumbam turns out to be a fairly engaging family entertainer with a mix of comedy, thrills and unexpected turns. Venkatesh is at his entertaining best and carries the film with his trademark expressions, mannerisms and dialogue delivery. Trivikram manages to create several enjoyable moments, particularly in the first half, with his witty dialogues and interesting setup.The second half loses some of the freshness seen earlier and becomes predictable in places. A few situations also remind us of familiar films, which takes away some of the impact. Still, the film has enough entertaining moments, a few good twists and a strong lead performance to make it a decent theatrical watch.Considering the overall entertainment, Venkatesh's performance, humour, thrills and technical aspects, Cinejosh goes with a 2.75 rating for Aadarsha Kutumbam.

Aadarsha Kutumbam Review

Naa Wife Missing(2026) Movie: What's BehindVarun Sandesh, Shweta Basu Prasad are coming together after a longtime to entertain movie lovers with his upcoming entertainer Naa Wife Missing. The film directed by Swathi Prakash Mantripragada was released on 22 October 2026. Let us see what the film offered to movie lovers on social media.Naa Wife Missing(2026) Movie: Story ReviewNaa Wife Missing story revolves around two young couples and the happenings in their life and how they dealt with him. Balu (Varun Sandesh) who works as a Assistant Manager in a Grameen Bank enters into wedlock with a beautiful girl Swapna (Swetha Basu Prasad). However on the first day itself he gets a huge shock. What is that shock and how Abban (Mohit Pedada), SI Ravi (Praveen) are connected to these developments form the crux of the story.Naa Wife Missing(2026) Movie: Artists ReviewVarun Sandesh came up with a realistic performance. He did justice to his role as a husband. Shwetha Basu Prasad showed different shades to impress viewers. Praveen is good and the twist that comes with his character generates interest. Others like Satyasri and Mohit Pedada performed according to their roles.Naa Wife Missing(2026) Movie: Technicians ReviewNaa Wife Missing story is penned by Umarjee Anuradha and it is inspired by a few real life incidents. Swathi Prakash Mantripragada directed the film. He tried to come up with a family entertainer with a twist. Though he is tried to surprise with the twists, they are far and inbetween and works only to some extent. After the initial intro, that increases interest, the narration assumes a familiar plot. Only during the interval, the twist though predictable sets the stage for the second half.The second half revolves around the investigation part and everything looks normal and average. The climax twist is good to some extent before the film ends on a predictable tone. The story is good to some extent, and the screenplay and direction are just ok.The music of Sai Karthik is ok and the background score is decent. The songs are just average. Background music added value to the scenes. The cinematography of Satish Kumar is good . The narration and scenes are appealing on the screen. Sai Babu Talari's editing could have been better as there are many scenes that slowed the pace of the proceedings. Dialogues are ok and production values are average.Naa Wife Missing Movie: Advantages<ul><li>Varun Sandesh</li><li>Couple of Twists</li><li>BGM</li></ul>Naa Wife Missing Movie: Disadvantages<ul><li>Slow Pace</li><li>Predictable Elements</li><li>Illogical Scenes</li></ul>Naa Wife Missing(2026) Movie: Rating AnalysisAltogether, Naa Wife Missing turns out to be a predictable thriller. Varun Sandesh and Swetha Basu Prasad combination excites and they tried their best to excite all. Director Swathi Prakash Mantripragada tried to increase the interest levels with the twists during the interrogation.He tried to generate interest by narrating the predictable story with non linear screenplay.However many illogical scenes played the spoilsport. However, only a few twists work and others turn bland. Little finetuning of the script and few more twists would have added value to the narration. Considering all these aspects, Cinejosh goes with a 2 rating for Naa Wife Missing.

Naa Wife Missing Review

Haiku(2026) Movie: What's BehindHaiku, a Tamil film starring Aegan, Sri Devi, Femina George in key roles under the direction of Yuvaraj Chinnasamy in releasing on 23 October 2026. Let us find out how &nbsp;director Yuvaraj Chinnasamy impressed movie lovers.Haiku(2026) Movie: Story ReviewHaiku story revolves around a youngster and the happenings in his life when he comes across two beautiful girls in his life and how he deals with the emotional tsunami associated with it. Mano aka Manohar ( Aegan), a team lead in an automobile company starts training the new interns and with the passage of time, he develops a special affection towards a beautiful girl Nivedha (Femina George). As their love blossoms between them, Nivedha comes to know about the past of Manohar.What is Manohar's past, how it impacts the relationship of Manohar and Nivedha, what role Palavakodi aka Kodi (Sridevi Appala), Manohar's friend Nagarjuna (Adhirchi Arun), Nivedha's fiance Arul (Sabareesh Ramachandran), Steve Master (Shiva Aravind), Arun (Subramanian Sethu),Janaki Ram (Jenson Divakar), Mano's father Thangarasu (Mime Gopi) , Kanmani (Indhumati Manikandan) form the interesting part.Haiku(2026) Movie: Artists ReviewAegan performed well in the role of a youngster who experiences different situations in his life and the way his life and behavior changes accordingly. He showed good body language, expressions and emotions as per the situation. Sridevi Appala played the role of an innocent girl who falls in love and then takes a strong decision when faced with a shocking situation. However she has limited screen presence.Femina George performed well and she made an impact with her screen presence and emotional expressions. She captivated all with her expressive eyes. She impressed all with her looks and dialogues. Adhirchi Arjun performed well in the role of the protagonist's friend. He helped the story to move forward with his performance.Others like Adirchi Arun, Subramanian Sethu, Adhiyaman, Mime Gopi, Indhumathi Manigandan performed according to their roles.Haiku(2026) Movie: Technicians ReviewHaiku story is penned by Yuvaraj Chinnasamy. He tried to attract viewers with a romantic story including gen x elements. He starts the narration in &nbsp;an interesting manner and continues in the same manner. The uni dimensional screenplay did not lead to any confusion. Though the story is routine and screenplay also turned out predictable, the emotions he included in the film added value to the narration.He shows the relations and the emotions in a different manner trying to be creative to some extent. The first half highlighted the connection between the lead pair before showing the flashback. While the first half has youthful and entertaining elements apart from few emotional sequences, the second half is loaded with powerful emotions and dialogues. Finally the film comes to a decent ending with the message to the genex viewers to move on from the past relationships.Siddhu Kumar's songs are situational and impressive. The tunes connect chords with the viewers. He added value to the narration with his background music. He with his background music added more power to the soul of the film. The cinematography of Priyesh Guruswamy is good. He turned the youthful triangular love story into a colorful one with his camera angles capturing the natural locations in an appealing manner. The editing of Sakthi Pranesh is decent but there are few drags in the film that slowed the proceedings a bit. Dialogues are effective and impactful. Production values are good.Haiku Movie: Advantages<ul><li>Performances</li><li>Emotions</li></ul>Haiku Movie: Disadvantages<ul><li>Story</li><li>Screenplay</li></ul>Haiku(2026) Movie: Rating AnalysisAltogether, Haiku turns out to be a decent love story. Aegan, Femina George and Sridevi Appala did full justice to their roles and though director Yuvaraj Chinnasamy came up with a routine story and predictable screenplay, the performances made the film watchable to an extent. However, the lack of freshness in the story and screenplay played the spolsort. Little finetuning of the script and interesting and gripping screenplay &nbsp;would have added more impact to the final output. Considering all these aspects, Cinejosh goes with a 1.5 for Haiku.

Haiku Review

418 Movie (2026): What's BehindHorror film 418 has been the cynosure of all eyes as it is presented by star director Prashanth Neel. The reports that the Censor Board asked the makers to tone down the horror elements before certification, The film hit the screens today on 23 Oct 2026. The film's OTT rights have been bagged by Netflix. Let us find out whether 418 really knocked the living daylights out of the viewers.418 Movie (2026): Story Review418 story revolves around a mysterious happenings in the &nbsp;hostel &nbsp;room no 418 and how it impacts the lives of everyone. The new joinees in the MBBS college during admission are asked not avoid venturing into the 418 room while allocating rooms. The mystery deepens when no girls are allowed into the hostel. Where this leads to and how it is connected to the 418 room and what role newcomers Vivek(Suryaraj Veerabhatani), Rohit, Maggie(Sree Viashnav) , beautiful girl Saishaa (Preeti Pagadala), Rachna((Hiranmayee Purushottam), psychiatrist Subhash Patil, warden Ramesh Kumar and others played and what is the secret of Devika (Chaitra J Achar), her husband Mohan &nbsp;played form the crux of the twist.418 Movie (2026): Artists ReviewThere are many unknown faces in the film and they tried their best to take the proceedings forward. Chaitra J Achar impresses, showing variations in her performance. Ramesh Indra is good in the role of the psychiatrist . Suryaraj Veerabhatani is impressive in the role of the medico who has ambitions to become a doctor and who has his own fears about the mystery of the room. Charan, Lakkaraju did justice to their roles. Others like Preethi Pagadala, Shree Vaishnav, Shashank Patil, Kota Jayaram, Goparaju Vijay, Shrikanth Ganesh, Gopi Gavireddy, Dharma Teja Duba, Abhishek Reddy R, Bank Baasha, Satyanarayana Vaddadhi, Recce Naidu, Rekha Nirosha, Sanjana Hardageri, Sreevaani Tripuraneni, Vaani Shalini, T S Rajesh, Nagarani Reddy, Hiranmayi Purushotham, Navaneeth Madishetti performed according to their roles.418 Movie (2026): Technicians ReviewThe story of 418 is penned by Kirtan Nandagouda. Right from the start he did not deviate from the main plot. He established the premise in the starting scene itself and from then on he takes the thrills and scares to the next level with each passing episode. He narrated the story in episode manner to avoid confusion. While the start is racy, the narration pace dips a bit during the college scenes. The college happenings &nbsp;are shown in a natural way though it did not add much value to the proceedings.The screenplay turns racy once the protagonist experiences the scary happenings. The interval bang is well placed and sets the tone for the second half.The second half leads to unraveling of the mystery with the flashback episodes. Some of the scenes however turned tiresome but the director managed to make an overall impact. The director depended on the sound design which is of high standard to scare viewers with jump scares. But at times, they turned repetitive, robbing them off the more powerful and impactful experience.The cinematography of Dinesh Diwakaran created a realistic atmosphere and increased the eerie feel with his camera angles and color combinations. The background score of Venky GG elevated the proceedings to the next level.Avinash's editing could have been better. His editing had the feel of KGF and Salaar. Production values are grand.418 Movie: Advantages<ul><li>Performances</li><li>BGM</li><li>Couple of Twists</li></ul>418 Movie: Disadvantages<ul><li>Repetitive Scares</li><li>Routine Plot</li><li>Predictable Proceedings</li></ul>418 Movie (2026): Rating AnalysisAltogether, 418 turns out to be a decent horror flick. All the actors performed well and with the director Kirtan Nandagouda coming up with an interesting story. He with his &nbsp;screenplay turned the film into a watchable one despite few predictable and routine, repetitive proceedings. A little finetuning of the script, no efforts would have added more firepower.Considering all these aspects, Cinejosh goes with a 2.5 for 418.

418 Movie Review

Ranabaali (2026) Movie: What's BehindVijay Deverakonda and Rashmika Mandanna coming back together after Geetha Govindam and Dear Comrade especially after their marriage itself builds curiosity. Add to it, director Rahul Sankrityan, the man behind Taxiwaala and Shyam Singha Roy picking a 1854 to 1878 Rayalaseema famine backdrop, and Mythri Movie Makers backing it on a grand scale. Promos promised blood, pain and a never seen before Vijay. It's OTT streaming partner is announced as Netflix. Ranabaali hit theatres on October 16th. Let's see how it turns out to be.Ranabaali (2026) Movie: Story ReviewRanabaali is set in Rayalaseema between 1854 and 1878, during British rule. Singanamala Bobbili Ranabaali (Vijay Deverakonda) is born into a Palegaadu family. As per legend, he is born without breath and is blessed by Lord Bhadramallanna Swamy with life for two pushkarams. He grows up as a ferocious, going to any extent to protect his people guy. To bring him on track, his family gets him married to Jayamma (Rashmika). She tries to change him. At the same time, the whole Madras region is hit by a terrible famine, British commissioner Sir Theodore Hector (Arnold Vosloo) was appointed as the commissioner for Madras presidency and his brutal decisions leads to looting grains, lands with heavy taxes and people are dying of hunger. When Ranabaali witness that suffering with his own eyes, he turns into a rebel fighting for his people. How does he protect and turns into a nightmare to Britishers forms the crux of the story.Ranabaali (2026) Movie: Artists ReviewVijay Deverakonda is genuinely sincere as Ranabaali. This is totally away from his usual urban lover boy image. He has worked hard on his body language as a drunk, careless youth in early scenes and as a ferocious warrior in action blocks. Initially it seems his Rayalaseema dialect and histrionics seem forced but gets better as the movie progresses. In many scenes, his eyes and expressions do more talking than dialogues. Interval bang and climax are where he truly shines. You can feel the anger, helplessness and pain of a leader in him.Rashmika as Jayamma is lovely but her screen time is limited. In the first half, her scenes with Vijay are heartwarming, they give you that light feel in such a heavy film. She brings grace and emotion, and it's good to see she in a role which has very good importance to the story proceedings. But she suddenly disappear and only appears during the later hour in second half and brings emotional anchor.Lal as Bhadramallanna appears in just 2-3 scenes but makes an impact. Mummy fame Arnold Vosloo as brutal commissioner did menacing act. Eshwari Rao, Vivek Sagar, Kancharapalem Kishore and others are fine in their parts.Ranabaali (2026) Movie: Technicians ReviewIf you compare both halves, first half is definitely better. Rahul takes his time to create the world of 1858 Rayalaseema - the Palegaadu system, the British torture, Ranabaali's personal life. Even it is a bit slow here and there, but the Vijay - Rashmika track and period detailing keep us hooked. Interval gives a good high. Second half starts on a powerful note but soon becomes too heavy. The film keeps showing back to back suffering, battles and grief. After a point, it feel choked. We can feel the suffering more than the heroism, because the heroic payoffs don't elevate mainly due to lack of pulsating BGM. With a runtime of almost 2 hours 58 minutes, it feels stretched.Technically, the film is rich. Cinematography by Jishnu Bhattacharjee, and Nirav Shah is one of the biggest assets, it beautifully captures the dry lands, forts and villages of 19th century Rayalaseema. Production design needs a special mention. Except for a few hill portions, you won't feel it's a set, it looks like a real location. Costumes and art department have done a great job. Where the film slips badly is music. Except for Melody song between Vijay and Rashmika, no other song registers. For a film of this scale, it is expected a thundering BGM to lift those elevation scenes. But the score by Ajay - Atul duo lacks that power. That's why even well shot heroic moments and heavy emotional scenes don't give you goosebumps. If those painful scenes had ended with a strong high, the impact would have been much better. Editing by Karthika Srinivas is impressive in the first half but needs trimming in second half.Ranabaali Movie: Advantages<ul><li>Vijay Deverakonda - Rashmika</li><li>First Half</li><li>Conviction Towards Story</li><li>Production Design</li></ul>Ranabaali Movie: Disadvantages<ul><li>Weak Elevations</li><li>BGM</li><li>Lengthy Second Half</li><li>Heavy Emotions</li></ul>Ranabaali (2026) Movie: Rating AnalysisRanabaali has a strong historical backdrop and some impactful moments, but the slow narration and lengthy runtime prevent it from making the desired impact. Vijay Deverakonda delivers a committed performance, while his chemistry with Rashmika Mandanna works in the film’s favour. The portrayal of famine conditions and British oppression also gives the story emotional weight.However, the screenplay loses momentum in the second half, with repetitive sequences and predictable developments affecting the overall experience. The background score and lack of emotional depth in some key scenes further weaken the impact. Despite its sincere attempt and a few engaging moments, the film struggles to sustain interest throughout its nearly three-hour runtime.Considering all these factors Cine Josh is going with 2.5 rating for 'Ranabaali'.

Ranabaali Review

Crazy Kalyanam(2026) Movie: What's BehindAnupama Parameswaran, Tharun Bhascker, VK Naresh and Akhil Raj come together for Crazy Kalyanam, directed by Badrappa Gajula. The film deals with a father's concerns about his daughter's marriage and her wish to become independent. With a rural Telangana backdrop and a mix of family drama and comedy, the film has an interesting point to make. Let us see how it works on screen.Crazy Kalyanam(2026) Movie: Story ReviewParvathalu (VK Naresh) has two daughters. His elder daughter is married to Balaraju (Tharun Bhascker), a man whose drinking habits and irresponsible behaviour keep creating problems for the family. Having seen this situation, Parvathalu wants to find a better match for his younger daughter Keerthi (Anupama Parameswaran). He looks for a wealthy groom who has a good background and no bad habits.Keerthi, however, has different plans. She wants to complete her education, get a job and stand on her own feet. She loves Uday (Akhil Raj), who has been in love with her since childhood. But Uday does not have a job or the financial background her father expects.Things get complicated when Parvathalu finalises a marriage proposal from a wealthy family. What will Keerthi do? Will her father understand her wishes? The rest of the story revolves around these questions.Crazy Kalyanam(2026) Movie: Artists ReviewAnupama Parameswaran does a good job as Keerthi. She gets the Telangana slang right and brings the right emotions to her character. Her performance is one of the film's positives.VK Naresh gets a role that gives him a chance to show his emotional side. He is particularly effective in the final 30 minutes, where a lengthy scene stands out. His performance adds weight to the climax, even though the film takes too long to reach that point.Tharun Bhascker has the potential to bring more laughs as Balaraju, but the writing doesn't make full use of his comic timing. His character could have been much more entertaining. Akhil Raj has a good screen presence and suits the romantic role, though the love track itself lacks freshness.Crazy Kalyanam(2026) Movie: Technicians ReviewDirector Badrappa Gajula chooses a subject that many families can relate to. The film also has a meaningful message about girls becoming independent and parents supporting their daughters ambitions. But a good idea alone isn't enough to make a film work.The first half takes too long to establish the characters and get to the main conflict. Even Keerthi and Uday's love story fails to create much interest. The story picks up when Parvathalu diverts a marriage proposal intended for another family member and decides to arrange the match for his own daughter. However, the interval lacks the impact needed to make viewers curious about what happens next.The second half also has its share of slow moments. The English classes track and some village episodes don't add much to the story. Tharun Bhascker provides a few lighter moments, but his comedy could have been used more effectively.The film finally finds some emotional strength in the last 30 minutes. The scenes involving Naresh's character bring the much-needed intensity, and the climax conveys the importance of a girl getting an education and becoming independent. However, a fight added towards the end feels forced and doesn't fit naturally into the story.The cinematography captures the village atmosphere well, while the editing could have been sharper. The number of songs also affects the pace in places. A tighter screenplay and more engaging first half would have made a noticeable difference.Crazy Kalyanam: Advantages<ul><li>Anupama Parameswaran</li><li>VK Naresh's performance</li><li>A meaningful message</li><li>Rural Telangana backdrop</li></ul>Crazy Kalyanam: Drawbacks<ul><li>Familiar romantic track</li><li>Slow narration</li><li>Emotional scenes lack impact</li><li>Slow first half</li><li>Comedy that works only in parts</li></ul>Crazy Kalyanam(2026) Movie: Rating AnalysisCrazy Kalyanam has a relatable story at its core. A father wants his daughter to marry into a wealthy family because he fears she might face the same problems as her elder sister. Meanwhile, the daughter wants to study, get a job, and make her own decisions. There is enough scope here for an engaging family drama.Unfortunately, the film takes too long to get going. The romance doesn't create much interest, the comedy has failed in many parts, several scenes feel like they are only filling time. The final 30 minutes are considerably better, with VK Naresh delivering an emotional performance that helps the film recover somewhat.The director's intentions are good, but the screenplay needed more work to turn the subject into a consistently engaging entertainer. The climax makes a point worth hearing, yet the journey towards it feels unnecessarily long.Crazy Kalyanam(2026) Movie: VerdictCrazy Kalyanam has a good message and finds some emotional strength towards the end. Anupama Parameswaran and VK Naresh deliver noteworthy performances, but the slow narration and missed opportunities with comedy hold the film back. Better writing and a tighter screenplay could have made this a more satisfying family entertainer.

Crazy Kalyanam Review

Jailer 2(2026) Movie: What's BehindMaking a sequel to a Blockbuster is a challenging task for any director. After the first part became a sensation, Sun Pictures brought back the winning combo, Nelson, Anirudh and Superstar Rajinikanth. Also when they announced Vidya Balan, SJ Suryah, and Mithun Chakraborty as the Kalpauk family, the buzz intensifies. Jailer 2 hit the theatres on October 15. Did Nelson pull it off ? Let's see in a detailed review..Jailer 2 (2026) Movie: Story ReviewJailer 2 continues right from where Jailer ended. Tiger Muthuvel Pandian's family is still dealing with the loss of his son Arjun. But Tiger Muthuvel Pandian cleaning up Varma's idol smuggling gang has further leads into more antagonists. Dileep (Suraj Venjaramoodu), &nbsp;a close aide of Varma is hunting for the man who killed Varma. Meanwhile Muthuvel uses Moorthy (Namo Narayana) and his gang to reach Dileep. Then while Dileep is searching for Varma's killer, all roads lead to Muthuvel. That's when the real game starts. The new threat is not a single man, but a whole family syndicate, The Kalpauks, Father Kalpak (Mithun Chakraborty), Bodhi (SJ Suryah) and Kantha (Vidya Balan). How, Muthuvel deals with them follows the entire second half and offcourse gives a lead to Third Installment too.Jailer 2 (2026 Movie): Artists ReviewThis film belongs to Rajinikanth. He is the soul of Jailer 2. But, in Jailer 1, we saw Muthuvel as a normal, retired, soft spoken jailer and that innocence made his mass transformation organic and emotional. In Jailer 2, he is a powerful force from frame one. That surprise factor is missing. Still, his swag is untouched, his comic timing is spot on and when he walks in slow motion with Anirudh's BGM, theatres still erupt. Those elevation scenes are pure goosebumps.The real surprise is Suraj Venjaramoodu. Honestly, he looks more menacing and serious in the first half than the actual main villains in the second half. He holds the entire first half on his shoulders. His track with Namo Narayana is hilarious and also builds tension.Now coming to the biggest disappointment, the Kalpauk family. SJ Suryah as Bodhi tries his best and gets a couple of good face offs with Rajini, but his character quickly becomes loud and repetitive. Vidya Balan as Kantha gets very less screen time and her villainy barely registers except for a couple of laughs due to her 'message' chemistry with Rajini. Mithun Chakraborty is completely underwhelming. To be frank, none of them come even close to what Vinayakan did as Varma in the first part. That raw, unpredictable madness is totally missing.Namo Narayana as Moorthy is a laugh riot. Probably his best role till date. Ramya Krishnan, Mirnaa and Yogi Babu are just okay, they don't have much to do. And we have to talk about the special number. Remember how Tamannaah's Kaavaalaa set screens on fire? Nora Fatehi's number in this one feels forced, like a filler song added just for the sake of it.Jailer 2 (2026) Movie: &nbsp;Technicians ReviewFirst half is completely filled with Nelson mark. This is where he shines. He balances his trademark dark comedy with mass elevations so well. The characters are quirky, dialogues are witty and scenes like the tea stall shooting and bridge fight are designed purely as mass fans moments. Followed by a banger interval block with Dileep just elevates everything and makes us think second half will be bigger.But second half is a different story. Once the Kalpauk family enters, the film becomes static. Same kind of scenes repeat, emotional connect doesn't feel organic like the first part and the confrontations look like Nelson is trying too hard to recreate Jailer 1 moments. The main strength in Jailer 1 is how seamlessly it blends The powerful cameos of Shivaraj Kumar and Mohanlal into the narrative whereas those cameos look forced and bland in Jailer 2. But, the much talked about Hrithik Roshan Cameo worked well. The pre climax feels stretched and climax fight is well executed.Technically, Anirudh is the second hero after Rajini. His BGM is power packed and lifts every elevation, but the songs themselves break the flow. He never missed the opportunity to elevate Thalaivar's aura. Vijay Kartik Kannan's visuals are slick and give a rich look to both Coimbatore and Goa portions. Editing by Nirmal should have been tighter, especially in the last 45 minutes. At 2 hours 45 minutes, the film feels long. At least 10 - 15 minutes could have been trimmed, especially in second half.Jailer 2 Movie: Advantages<ul><li>Rajinikanth Swag &amp; Presence</li><li>Banger Interval</li><li>Nelson Mark Comedy In First Half</li><li>Anirudh BGM</li></ul>Jailer 2 Movie: Disadvantages<ul><li>Repetitive Scenes In Second half</li><li>Cartoonish Villains</li><li>Less Emotional Connect</li></ul>Jailer 2 (2026) : Rating AnalysisJailer 2 works in parts. It rides high on Thalaivar's swag, Nelson's comedy in first half and Anirudh's BGM. But the weak second half and cartoonish villains pull it down. It's a decent one time watch for fans, but it never matches the freshness of Jailer. Considering all these, CineJosh is going with &nbsp;2.75 &nbsp;rating.&nbsp;

Jailer 2 Review

At a time when the city police are conducting a drive against drink and drive, a Tollywood actor is facing a case of a drunken brawl. Small time artiste, B. Raghavendra who plays side kick to negative characters, tried to be a hero and had beaten up a person whom he presumed to be harassing a woman who was involved in an argument. Unfortunately, the two happen to be husband and wife and the woman called police and complained against the actor who was drunk. The incident took place under Ramgopalpuram police station limits last night in Secunderabad.

Raghavendra booked for Drunken Brawl