Tamil Tambis double standards

Tamil Tambis are known for their passionate feelings and linguistic feelings. They are extremely emotional and go overboard work out comes to their culture, traditions and language. At every opportunity, they exhibit and flaunt them to the fullest without any second thoughts.

This can be gauged by the way they turn their films into super hits lapping it to them in an intense and ferocious manner. This is seen when they turned Maniratnam's Ponniyin Selvan into a blockbuster. The film turned out to be a blockbuster in Kollywood but failed to replicate the same magic in other languages.

Tamil Tambis during that time lambasted other langauge movie lovers, saying they don't have any film knowledge and respect to other states cultures unlike them and they are the ones who turn other language films into super hits while other language people donot reciprocate. They even threatened to turn other language films into flops, of they don't mend their behaviour.

But Tamil Tambis behaviour and double standards are exposed completely. Kannada film Kantara starred and directed by Rishabh Shetty is creating a sensation across the world in various languages. Kantara turned out to be blockbuster in not only in Kannada but also in Telugu, Malayalam, Hindi etc. However, Kantara turned out to be a disaster in Tamil version. This again exposed Tamil Tambis double standards and hypocrisy.

Tamil Tambis act as the saviors of Indian film industry and various films and also by making pan India films elevating the standard of Indian cinema but in reality they with their linguistic feelings and fascism are killing the good films. They never encouraged other language films, stars in their region and developed a blind hatred. They by showing their linguistic feelings, killed many films and can be branded as murderers of good films. People can love their language, culture and films but the love for their language shouldn't turn into blind hatred towards other langauge people, their culture and films and result in the murder of good films.